Use the H910’s pitch changing ability to create specific musical intervals and harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back.
A purchase includes Eventide’s exclusive H910 Dual Harmonizer, which recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects. It combined ‘de-glitched’ pitch change with delay and feedback. Chris Carter & Cosey Fanni Tutti Discuss the Eventide H910 Harmonizer A powerful creative tool, the H910 plug-in is a faithful recreation of the original hardware. H910 Harmonizer is on sale for only 50 USD until May 3rd, 2021 (regular 249 USD). The H910 was the world’s first commercially available digital audio effects device. Whatever the reason, the Harmonizer quickly made its way into recording studios around the world. The Eventide H910 Harmonizer was developed by Eventide in 1974. Let’s face it, Harmonizer is a great name. The Varispeech was described in the literature as a way of time correcting speech, while the Harmonizer was sold from the get-go as something to generate musical harmonies. If I had to guess, it has something to do with marketing. So, why did the H910 become identified with pitch shifting, and the term “Harmonizer” become almost as generic as “Xerox” (at least in recording circles), while the Lexicon Varispeech faded into relative obscurity? I don’t know. The H910 appears to use a fairly simple triangle wave crossfading, which means that the 2 different delayed signals will be present to a greater or lesser extent in the output at virtually all times. Like the Lexicon Varispeech that preceded it, the H910 would be what I would label a 2-tap pitch shifter, in that there were 2 pitch shifted signals, with crossfading between the 2 signals. Eventide H910 Harmonizer b Softube Marshall Bluesbreaker 1962 Silver Jubliee 2555 Universal Audio. In 1975, Eventide came out with their first Harmonizer, the H910:ĭesigned by Anthony Agnello (later of Princeton Digital), this was a digital variant of the rotary tape head pitch shifters that I discussed earlier.
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